CYRANO

To work on a dramatic text such as this, one has to, above all, immensely love the theater… to criticize the functioning of the theater, only to help...  The problems faced by today's theaters are told in the face, and that seems, at first, believe it or not, so ridiculous... 

But is it really so?... The problems and situations faced by the characters in the play are not funny at all; they are simply real…

The entire story must be regarded as such, making this piece pure anti-comedy, anti-humor, for real… 

I get it; the truth hurts, but at the same time, it is too funny… or is it too funny but equally painful at the same time…

We, the theater folk, live with the problems from the dramatic text every day... we don't find them funny at all...  Maybe it's just a bit interesting… And on the stage, we will see it all; we will see theater- from the inside, in the core- theater behind the scenes- where the truth lies- where the soul of the theater lingers- the motor that works slowed down…

Therefore - we play theater in hyper-realistic form… To a degree where nothing is there to be funny… but to be real… to make the audience doubt whether what is happening on the stage is real or just "acting" to a degree where we lay the problems in the theater naked, as they are, as our situation literally looks like...