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Godot

GODOT

Somewhere in the near future, the world no longer resembles the world that humanity once knew. The boundaries between man and machine have gradually disappeared, and civilization, exhausted by pain, wars, fears, diseases, and loneliness, has begun to create a new order – an order in which emotions are weakness, memories are a burden, and the soul is an obstacle to perfection. People no longer seek truth, but stability. They no longer seek love, but security. They no longer seek freedom, but a system that will think instead of them. Thus began the process of the silent disappearance of man.

The machines did not come through violence. They did not come to destroy humanity. They came as help. As salvation. As a promise of a better life. Slowly they entered everyday life, into the body, into thought, into memory. Man voluntarily began to replace his own nature with something more efficient, calmer, and more controllable. Pain began to be cured. Fear to be regulated. Loneliness to be simulated. And the soul – to be forgotten.

 

At the center of this new world there is a system. A vast mechanism that observes, analyzes, and transforms. A system that creates a new man. Not a man who feels, but a man who functions. The space in which Vladimir and Estragon find themselves is part of that process. A laboratory. A waiting room. A prison. An experiment. A place where time no longer has meaning. The days repeat themselves. The conditions change. Reality is programmed. Someone watches them. Someone tests them. Someone decides how long the day will last, when night will fall, when the wind will blow, when the moon will appear. Their lives have been turned into a simulation.

 

Above them, the Boy stands constantly. Quiet. Calm. Watching.

And so they wait. They wait for salvation. They wait for meaning. They wait for someone to tell them that suffering has an end. They wait for something that will justify their pain. But in a world where man is gradually disappearing, perhaps the most terrifying question is not who Godot is—but what you must become in order to finally see him.

Godot - Trailer 1 - directed by Rizeski
Godot
Godot
Godot - Trailer 2 - directed by Rizeski
Godot - Trailer 3 - directed by Rizeski
Physical - Godot

Theatre: National Theatre Jordan Hadzi Konstantinov Dzinot Veles

National Theatre Kumanovo . National Theatre Shtip . Edu Info Media


Author: Samuel Beckett

Director: Gjorgji Rizeski

Idea and Adaptation: Gjorgji Rizeski . Eftim Trajchov Gjaurski

Producer: Eftim Trajchov Gjaurski . Zharko Spasovski

Set Designer: Filip Korunovski

Costume Designer: Monika Gacheva

Composer: Sashko Kostov

Choreographer: Sanja Ruseska

Animator: Filip Korunovski

Make-up: Andrijana Andreeva

Photographs: Krste Shupev

Photography and Video Design: Aleksandar Vrzhalski

Poster Design: Aleksandar Arsov


Vladimir: Eftim Trajchov Gjaurski

Estragon: Marko Trajković

Pozzo: Zharko Spasovski

Lucky: Marija Bresliska

The Boy: Joana Panzova


General Director: Zharko Spasovski

Joana Sarafimovska . Pece Ristevski

Technical Manager: Nikola Ignov

Stage Manager: Slavisha Georgiev

Lighting Technician: Marjan Todorovski . Zoran Jordev

Sound Technician: Sashko Kostov

Video Operator: Filip Korunovski

Tailor: Panche Stojmenov

Prompter: Orhideja Dukova

Wardrobe: Elena Kochanovska

Props: Blagoj Iliev . Sashka Danailovska

Set Decorators: Igor Gavrilov . Hisham Latifov

Gjore Pavlov . Jovica Stamenkovski . Trajche Kulev

Roberto Karadakovski . Nikola Spasev . Aleksandar Kostov

Igor Stojiljković . Leonid Nikolov

Special Thanks To: Municipality of Shtip . Shtip Cultural Summer

Telekabel . Longurov Print Studio

Theater Director - Rizeski ® 

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